A film is - or should be - more like music than like fiction. It should be a progression of moods and feelings. The theme, what’s behind the emotion, the meaning, all that comes later.
~ Stanley Kubrick
IN A BETTER WORLD (2010) — What makes the friendship between Christian and Elias so special is how deeply and honestly Susanne Bier displays the emotional side of both children. Only by peering the eyes of the two actors, I can feel the all emotional reasons why they become such small terrorists. YOUNG TÖRLESS (1966) — Violence is not just a physical matter, but also psychological and emotional. In Young Törless, ethical ​​and subjective values ​​were so contradictory. Then the boundaries between good and evil even more vague. PHARAOH (1966) — Faraon is an evocative anatopism, also an astonishing colossal. A truly rare gem of its kind. Not only works as a visual declaration, Kawalerowicz also made it so carefully, so mesmerizing, yet so challenging. THE BOYS OF PAUL STREET (1969) — An ironic allegory not only for the face of war, but also the heart of it: militarism and nationalism. The irony in the end makes the two terminologies be absurd. SPIRITED AWAY (2001) — “What's in a name?” asked Shakespeare. “A name is an identity,” said this movie. MISS JULIE (1951) - Miss Julie is a very challenging study, whether psychological or situational. In a simple but smart way, Miss Julie presents the phases of a political game of love and seduction. MY NIGHT AT MAUD'S (1969) - Éric Rohmer not only talk about choices and risks of choices, there is also a glimpse the importance of choices and the pain of choices. My Night at Maud's, for me, is the most amazing movie about refracting those two opposing aspects of life. TEN (2002) — The use of "dashboard camera" method by Abbas Kiarostami is successfully providing such microscopic spectacle about the characters, not only on outside but also capable of making this movie as a unique character and gender study. THE PARTY AND THE GUESTS / A REPORT ON THE PARTY AND THE GUESTS (1966) — The allegory is not only the great thing about this Czechoslovak New Wave Cinema movie, but also its weirdness, its unnatural behavior, its peculiar plot, but the most of it is about how the movie smartly move without caution. ELEPHANT (2003) — Elephant is a piece of work that should be commended for its bravery. Such compliments are mainly intended to for Gus Van Sant's guts on using such non-linear and unusual narrative spectacle. Also packed with such unnatural risky styles which was really cost lot of guts.
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Tampilkan postingan dengan label Christopher Mintz-Plasse. Tampilkan semua postingan

Rabu, 17 November 2010

Kick-Ass

TULISAN INI MUNGKIN MENGANDUNG SPOILER!
Oleh: Rio Johan (Rijon)

http://4.bp.blogspot.com/_FWlFbU673eI/TOk23-g9gVI/AAAAAAAABl4/AoWuSwnwUws/s1600/Kinema.jpg

Sutradara: Matthew Vaughn
Pemain: Aaron Johnson, Nicolas Cage, Chloë Grace Moretz, Christopher Mintz-Plasse, Mark Strong, Lyndsy Fonseca, Michael Rispoli, Kofi Natei, Yancy Butler, Jason Flemyng, Elizabeth McGovern, Garrett M. Brown, Sophie Wu, Dexter Fletcher, Clark Duke, Evan Peters

Tahun Rilis: 2010

Diangkat dari komik Kick-Ass karya Mark Millar and John Romita, Jr.

Sekedar superhero saja sudah bukan hal yang heboh lagi, ada Superman, Batman, Catwoman, Hulk, Spiderman, Fantastic Four, X-Men, dan masih banyak lagi. Kalau yang dicari adalah film tentang superhero yang tidak benar-benar “super,” maka Kick-Ass adalah pilihan yang tepat. Menarik lo sebenarnya: “superhero yang tidak super.” Frase tersebut kurang lebih serupa dengan “pawang macan yang tidak mempunyai keahlian pawan macan.”
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Senin, 14 Juni 2010

Superbad

TULISAN INI MUNGKIN MENGANDUNG SPOILER!
Oleh: Rio Johan (Rijon)
Sutradara: Greg Mottola
Pemain: Jonah Hill, Michael Cera, Christopher Mintz-Plasse, Bill Hader, Seth Rogen, Emma Stone, Martha Maclsaac

Tahun Rilis: 2007

FILM besutan dari sutradara yang juga membesut “Adventureland” ini dikategorikan ke dalam kelompok screwball comedy. Screwball comedy sendiri adalah julukan untuk tipe-tipe film “pria dijajah wanita.” Garis besarnya, screwball comedy adalah komedi tentang para laki-laki yang “kejantanannya” ditantang demi para wanita. Dalam kancah perfilman, genre ini dipopulerkan oleh film “It Happened One Night,” film yang dibintangi Clark Gable. Sebelumnya, bentuk-bentuk screwball comedy ini pun bisa ditemukan dalam drama-drama Shakespeare, antara lain “Much Ado About Nothing,” “As You Like It,” dan yang paling terkanal “A Midsummer Night's Dream.” Dalam kancah perfilman modern Indonesia, wujud paling terasa dari screwball comedy bisa ditemukan di “Janji Joni.”
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