A film is - or should be - more like music than like fiction. It should be a progression of moods and feelings. The theme, what’s behind the emotion, the meaning, all that comes later.
~ Stanley Kubrick
IN A BETTER WORLD (2010) — What makes the friendship between Christian and Elias so special is how deeply and honestly Susanne Bier displays the emotional side of both children. Only by peering the eyes of the two actors, I can feel the all emotional reasons why they become such small terrorists. YOUNG TÖRLESS (1966) — Violence is not just a physical matter, but also psychological and emotional. In Young Törless, ethical ​​and subjective values ​​were so contradictory. Then the boundaries between good and evil even more vague. PHARAOH (1966) — Faraon is an evocative anatopism, also an astonishing colossal. A truly rare gem of its kind. Not only works as a visual declaration, Kawalerowicz also made it so carefully, so mesmerizing, yet so challenging. THE BOYS OF PAUL STREET (1969) — An ironic allegory not only for the face of war, but also the heart of it: militarism and nationalism. The irony in the end makes the two terminologies be absurd. SPIRITED AWAY (2001) — “What's in a name?” asked Shakespeare. “A name is an identity,” said this movie. MISS JULIE (1951) - Miss Julie is a very challenging study, whether psychological or situational. In a simple but smart way, Miss Julie presents the phases of a political game of love and seduction. MY NIGHT AT MAUD'S (1969) - Éric Rohmer not only talk about choices and risks of choices, there is also a glimpse the importance of choices and the pain of choices. My Night at Maud's, for me, is the most amazing movie about refracting those two opposing aspects of life. TEN (2002) — The use of "dashboard camera" method by Abbas Kiarostami is successfully providing such microscopic spectacle about the characters, not only on outside but also capable of making this movie as a unique character and gender study. THE PARTY AND THE GUESTS / A REPORT ON THE PARTY AND THE GUESTS (1966) — The allegory is not only the great thing about this Czechoslovak New Wave Cinema movie, but also its weirdness, its unnatural behavior, its peculiar plot, but the most of it is about how the movie smartly move without caution. ELEPHANT (2003) — Elephant is a piece of work that should be commended for its bravery. Such compliments are mainly intended to for Gus Van Sant's guts on using such non-linear and unusual narrative spectacle. Also packed with such unnatural risky styles which was really cost lot of guts.

Film Indonesia

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Film 1980-an
1986 Ibunda Skor: A

Film 2000-an
2002 Ca-Bau-Kan Skor: C
2007 The Butterfly Skor: E
2008 3 Doa 3 Cinta (3 Wishes 3 Loves) Skor: B–
2008 Cinta Setaman Skor: C–
2008 Under the Tree Skor: A–
2009 Heart-Break.com Skor: C
2009 Jamila dan Sang Presiden Skor: D
2009 Jermal Skor: A
2009 Merantau Skor: C+

Film 2010-an
2010 D2 / Demi Dewi Skor: D
2010 Dalam Mihrab Cinta Skor: E 
2010 Heart 2 Heart Skor: E
2010 I Know What You Did on Facebook Skor: C–
2010 Laskar Pemimpi Skor: D
2010 Love and Edelweiss Skor: E
2010 Madame X Skor: C–
2010 Menculik Miyabi Skor: F
2010 Red CobeX Skor: D
2010 Roman Picisan Skor: D
2010 Sang Pencerah Skor: B–
2010 Satu Jam Saja Skor: D
2010 Senggol Bacok Skor: D
2010 Susah Jaga Keperawanan di Jakarta Skor: E
2010 Sweetheart Skor: E
2010 Tanah Air Beta Skor: C–
2010 Taring Skor: E
2011 Jenglot Pantai Selatan Skor: F 
2011 Khalifah Skor: C–
2011 Love Story Skor: E
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