A film is - or should be - more like music than like fiction. It should be a progression of moods and feelings. The theme, what’s behind the emotion, the meaning, all that comes later.
~ Stanley Kubrick
IN A BETTER WORLD (2010) — What makes the friendship between Christian and Elias so special is how deeply and honestly Susanne Bier displays the emotional side of both children. Only by peering the eyes of the two actors, I can feel the all emotional reasons why they become such small terrorists. YOUNG TÖRLESS (1966) — Violence is not just a physical matter, but also psychological and emotional. In Young Törless, ethical ​​and subjective values ​​were so contradictory. Then the boundaries between good and evil even more vague. PHARAOH (1966) — Faraon is an evocative anatopism, also an astonishing colossal. A truly rare gem of its kind. Not only works as a visual declaration, Kawalerowicz also made it so carefully, so mesmerizing, yet so challenging. THE BOYS OF PAUL STREET (1969) — An ironic allegory not only for the face of war, but also the heart of it: militarism and nationalism. The irony in the end makes the two terminologies be absurd. SPIRITED AWAY (2001) — “What's in a name?” asked Shakespeare. “A name is an identity,” said this movie. MISS JULIE (1951) - Miss Julie is a very challenging study, whether psychological or situational. In a simple but smart way, Miss Julie presents the phases of a political game of love and seduction. MY NIGHT AT MAUD'S (1969) - Éric Rohmer not only talk about choices and risks of choices, there is also a glimpse the importance of choices and the pain of choices. My Night at Maud's, for me, is the most amazing movie about refracting those two opposing aspects of life. TEN (2002) — The use of "dashboard camera" method by Abbas Kiarostami is successfully providing such microscopic spectacle about the characters, not only on outside but also capable of making this movie as a unique character and gender study. THE PARTY AND THE GUESTS / A REPORT ON THE PARTY AND THE GUESTS (1966) — The allegory is not only the great thing about this Czechoslovak New Wave Cinema movie, but also its weirdness, its unnatural behavior, its peculiar plot, but the most of it is about how the movie smartly move without caution. ELEPHANT (2003) — Elephant is a piece of work that should be commended for its bravery. Such compliments are mainly intended to for Gus Van Sant's guts on using such non-linear and unusual narrative spectacle. Also packed with such unnatural risky styles which was really cost lot of guts.
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Selasa, 22 Februari 2011

Luftslottet som sprängdes

TULISAN INI MUNGKIN MENGANDUNG SPOILER!
Oleh: Rio Johan (Rijon)Sutradara: Daniel Alfredson
Pemain: Michael Nyqvist, Noomi Rapace, Tehilla Blad, Lena Endre, Annika Hallin, Sofia Ledarp, Jacob Ericksson, Georgi Staykov, Aksel Morisse, Niklas Hjulström, Micke Spreitz, Anders Ahlbom, Hans Alfredson, Lennart Hjulström, Per Oscarsson, Michalis Koutsogiannakis, Mirja Turestedt, Johan Kylén

Tahun Rilis: 2009
Judul Internasional: The Girl Who Kicked the Hornets' Nest

Film ini diadaptasi dari novel Luftslottet som sprängdes karya Stieg Larsson.

Tato naga besar di punggung Lisbeth Salander (Noomi Rapace) diperkenalkan pertama kali melalui The Girl with the Dragon Tattoo. Setelah puas bermain-main dengan api di The Girl who Played with Fire, kali ini Lisbeth menendang sarang lebah. Kurang keren apa lagi coba si Lisbeth ini?
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Senin, 21 Februari 2011

Flickan som lekte med elden

TULISAN INI MUNGKIN MENGANDUNG SPOILER!
Oleh: Rio Johan (Rijon)Sutradara: Daniel Alfredson
Pemain: Michael Nyqvist, Noomi Rapace, Tehilla Blad, Lena Endre, Peter Andersson, Per Oscarsson, Sofia Ledarp, Yasmine Garbi, Georgi Staykov, Annika Hallin, Tanja Lorentzon, Paolo Roberto, Johan Kylén, Magnus Krepper, Ralph Carlsson, Micke Spreitz, Anders Ahlbom

Tahun Rilis: 2009
Judul Internasional: The Girl Who Played with Fire

Film ini diadaptasi dari novel Flickan som lekte med elden karya Stieg Larsson.

Lisbeth Salander adalah sebuah teka-teki besar trilogi ini. Di film sebelumnya, The Girl with the Dragon Tattoo, Lisbeth Salander (Noomi Rapace) unjuk gigi untuk yang pertama kalinya seputar kemampuan hackingnya dengan membantu seorang wartawan, Mikael Blomkvist (Michael Nyqvist), menyelesaikan sebuah kasus. Di film itu, Lisbeth Salander juga memamerkan trademarknya: sebuah tato naga besar di punggungnya. Di film pertama juga diperkenalkan sekilas latar belakang Lisbeth Salander. Ada sebuah cuplikan adegan flashback masa lalu Lisbeth di mana dia menyiram bapaknya sendiri dengan bensin lalu melempar korek api menyala ke arah pria itu hidup-hidup. Di film kedua kali ini, Lisbeth tidak hanya sekedar melempar korek api, tapi benar-benar bermain dengan api.
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