A film is - or should be - more like music than like fiction. It should be a progression of moods and feelings. The theme, what’s behind the emotion, the meaning, all that comes later.
~ Stanley Kubrick
IN A BETTER WORLD (2010) — What makes the friendship between Christian and Elias so special is how deeply and honestly Susanne Bier displays the emotional side of both children. Only by peering the eyes of the two actors, I can feel the all emotional reasons why they become such small terrorists. YOUNG TÖRLESS (1966) — Violence is not just a physical matter, but also psychological and emotional. In Young Törless, ethical ​​and subjective values ​​were so contradictory. Then the boundaries between good and evil even more vague. PHARAOH (1966) — Faraon is an evocative anatopism, also an astonishing colossal. A truly rare gem of its kind. Not only works as a visual declaration, Kawalerowicz also made it so carefully, so mesmerizing, yet so challenging. THE BOYS OF PAUL STREET (1969) — An ironic allegory not only for the face of war, but also the heart of it: militarism and nationalism. The irony in the end makes the two terminologies be absurd. SPIRITED AWAY (2001) — “What's in a name?” asked Shakespeare. “A name is an identity,” said this movie. MISS JULIE (1951) - Miss Julie is a very challenging study, whether psychological or situational. In a simple but smart way, Miss Julie presents the phases of a political game of love and seduction. MY NIGHT AT MAUD'S (1969) - Éric Rohmer not only talk about choices and risks of choices, there is also a glimpse the importance of choices and the pain of choices. My Night at Maud's, for me, is the most amazing movie about refracting those two opposing aspects of life. TEN (2002) — The use of "dashboard camera" method by Abbas Kiarostami is successfully providing such microscopic spectacle about the characters, not only on outside but also capable of making this movie as a unique character and gender study. THE PARTY AND THE GUESTS / A REPORT ON THE PARTY AND THE GUESTS (1966) — The allegory is not only the great thing about this Czechoslovak New Wave Cinema movie, but also its weirdness, its unnatural behavior, its peculiar plot, but the most of it is about how the movie smartly move without caution. ELEPHANT (2003) — Elephant is a piece of work that should be commended for its bravery. Such compliments are mainly intended to for Gus Van Sant's guts on using such non-linear and unusual narrative spectacle. Also packed with such unnatural risky styles which was really cost lot of guts.
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Kamis, 30 Desember 2010

El otro lado de la cama

TULISAN INI MUNGKIN MENGANDUNG SPOILER!
Oleh: Rio Johan (Rijon)
Sutradara: Emilio Martínez Lázaro
Pemain: Ernesto Alterio, Paz Vega, Guillermo Toledo, Natalia Verbeke, Alberto San Juan, María Esteve, Ramón Barea, Nathalie Poza, Secun de la Rosa, Carol Salvador, Geli Albaladejo, Blanca Marsillach, Leticia Dolera

Tahun Rilis: 2002
Judul Internasional: The Other Side of the Bed

Todos somos bisexuales ....

Kalau Perancis punya film musikal 8 femmes, Spanyol punya El otro lado de la cama (atau The Other Side of the Bed). Film ini disutradari oleh sutradara yang menghasilkan Las palabras de Max, dibintangi oleh aktris cantik Paz Vega (Spanglish, Lucía y el sexo), dan berhasil menyabet berbagai nominasi di Goya Awards (Oscar-nya Spanyol).
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Senin, 20 Desember 2010

Krámpack

TULISAN INI MUNGKIN MENGANDUNG SPOILER!
Oleh: Rio Johan (Rijon)Sutradara: Cesc Gay
Pemain: Fernando Ramallo, Jordi Vilches, Marieta Orozco, Esther Nubiola, Chisco Amado, Ana Gracia, Myriam Mézières, Muntsa Alcañiz, Mingo Ràfols, Pau Durà, Eduardo González, Gaelle Poulavec, Jesús Garay, Eloi Yebra

Tahun Rilis: 2000
Judul Internasional: Nico and Dani

Nico and Dani membawa kisah seputar coming-of-age, sexual confusion, dan sexual awakening dengan pendekatan yang mengingatkan pada Éric Rohmer. Film ini bercerita tentang Nico (Jordi Vilches) dan Dani (Fernando Ramallo), sesuai dengan judulnya, dua sahabat-sangat-akrab yang menghabiskan musim panas berdua di rumah pantai milik keluarga Dani. Keduanya 17 tahun. Keduanya perawan. Dan keduanya sama-sama berada dalam fase “bingung” atas sisi seksual tubuh mereka tetapi penasaran untuk “menjelajahi” detil-detilnya. Sebelumnya, saya peringatkan resensi di bawah ini tidak untuk 18 tahun ke bawah.
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Senin, 30 Agustus 2010

Volver

TULISAN INI MUNGKIN MENGANDUNG SPOILER!
Oleh: Rio Johan (Rijon)
Sutradara: Pedro Almodóvar
Pemain: Penélope Cruz, Carmen Maura, Lola Dueñas, Blanca Portillo, Yohana Cobo, Chus Lampreave

Tahun Rilis: 2006

Volver kalau diterjemahkan dari bahasa Spanyol artinya kembali, spesifiknya, kembali ke suatu tempat. Volver tidak lain disutradari oleh salah satu sutradara terkemuka asal Spanyol, Pedro Almodóvar.
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