A film is - or should be - more like music than like fiction. It should be a progression of moods and feelings. The theme, what’s behind the emotion, the meaning, all that comes later.
~ Stanley Kubrick
IN A BETTER WORLD (2010) — What makes the friendship between Christian and Elias so special is how deeply and honestly Susanne Bier displays the emotional side of both children. Only by peering the eyes of the two actors, I can feel the all emotional reasons why they become such small terrorists. YOUNG TÖRLESS (1966) — Violence is not just a physical matter, but also psychological and emotional. In Young Törless, ethical ​​and subjective values ​​were so contradictory. Then the boundaries between good and evil even more vague. PHARAOH (1966) — Faraon is an evocative anatopism, also an astonishing colossal. A truly rare gem of its kind. Not only works as a visual declaration, Kawalerowicz also made it so carefully, so mesmerizing, yet so challenging. THE BOYS OF PAUL STREET (1969) — An ironic allegory not only for the face of war, but also the heart of it: militarism and nationalism. The irony in the end makes the two terminologies be absurd. SPIRITED AWAY (2001) — “What's in a name?” asked Shakespeare. “A name is an identity,” said this movie. MISS JULIE (1951) - Miss Julie is a very challenging study, whether psychological or situational. In a simple but smart way, Miss Julie presents the phases of a political game of love and seduction. MY NIGHT AT MAUD'S (1969) - Éric Rohmer not only talk about choices and risks of choices, there is also a glimpse the importance of choices and the pain of choices. My Night at Maud's, for me, is the most amazing movie about refracting those two opposing aspects of life. TEN (2002) — The use of "dashboard camera" method by Abbas Kiarostami is successfully providing such microscopic spectacle about the characters, not only on outside but also capable of making this movie as a unique character and gender study. THE PARTY AND THE GUESTS / A REPORT ON THE PARTY AND THE GUESTS (1966) — The allegory is not only the great thing about this Czechoslovak New Wave Cinema movie, but also its weirdness, its unnatural behavior, its peculiar plot, but the most of it is about how the movie smartly move without caution. ELEPHANT (2003) — Elephant is a piece of work that should be commended for its bravery. Such compliments are mainly intended to for Gus Van Sant's guts on using such non-linear and unusual narrative spectacle. Also packed with such unnatural risky styles which was really cost lot of guts.
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Rabu, 16 Februari 2011

Hors-la-loi

TULISAN INI MUNGKIN MENGANDUNG SPOILER!
Oleh: Rio Johan (Rijon)Sutradara: Rachid Bouchareb
Pemain: Jamel Debbouze, Roschdy Zem, Sami Bouajila, Bernard Blancan, Chafia Boudraa, Sabrina Seyvecou, Assaad Bouab, Thibault De Montalembert, Samir Guesmi, Jean Pierre Lorit, Ahmed Benaissa, Larbi Zekkal, Louiza Nehar, Mourad Khen, Mohamed Djouhri, Mustapha Bendou, Abdelkader Secteur

Tahun Rilis: 2010

Film ini merupakan spin off dari Indigènes.

Sutradara Rachid Bouchareb memanfaatkan sisa-sisa sumber daya yang ada pada Indigènes, film tentang perjuangan pasukan Aljazair dalam membela Perancis di Perang Dunia II, dengan cara mendaur ulang kembali menjadi sebuah kisah baru – tapi tetap pada pijakan yang sama. Jadilah Hors-la-loi. Tapi kali ini bukan film perang, sekalipun di film ini tetap saja ada medan perang, tetap saja ada dentuman-dentuman baku tembak, tetap saja ada penampakan umat manusia saling bunuh-membunuh, dan tetap saja ada mayat bergelimpangan. Yang satu ini lebih berupa drama kriminal.
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Minggu, 13 Februari 2011

Indigènes

TULISAN INI MUNGKIN MENGANDUNG SPOILER!
Oleh: Rio Johan (Rijon)Sutradara: Rachid Bouchareb
Pemain: Jamel Debbouze, Samy Naceri, Roschdy Zem, Sami Bouajila, Bernard Blancan,Mathieu Simonet, Assaad Bouab, Benoît Giros, Mélanie Laurent, Antoine Chappey, Aurélie Eltvedt, Thomas Langmann, Thibault de Montalembert, Dioucounda Koma, Philippe Beglia

Tahun Rilis: 2006
Judul Internasional: Days of Glory
Judul Arab: بلديون

Saya tidak terlalu sering menonton film perang. Selera personal saya memang lebih ke arah film-film yang lebih personal. Tapi bukan berarti saya anti film perang, tapi saya memang jarang dipuaskan oleh film perang. Seingat saya, film perang terakhir yang berhasil memuaskan saya adalah The Wind That Shakes the Barley buah karya Ken Loach.
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